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META TOPICPARENT | name="OldPapers" |
| | Creative Communication | |
< < | Nietszche said, "Woe to him who hides wastelands within." Ideally and commonly, as children and adults, with some sense and value of good appropriateness, we can and do trust each other enough to participate expressively, including exposure of lack or misunderstanding as it goes. Heidegger said, “We ourselves are pointers pointing toward what calls to be thought about.” In actuality/experience/pertinence/interest... , we participate in and point to reality and direction. | > > | Nietszche said, "Woe to him who hides wastelands within." Ideally and commonly, as children and adults, with some sense and value of good appropriateness, we can and do trust each other enough to participate expressively, including exposure of lack or misunderstanding as it goes, though we may also have some reticence and oasis/privacy from external/invasiveness/harm/force. Heidegger said, “We ourselves are pointers pointing toward what calls to be thought about.” In actuality/experience/pertinence/interest... , we participate in and point to reality and direction. | | Openness to changing/developing one's views/awareness coupled with active reflection on others' expressions allows access to a greater slice of intersubjective reality, which can lead to new and more complete ideas. Moreover, greater empathy to others’ expressions helps one to be a clarifying and productive communication partner. (There may be lepidoptery issues of content/exposure/relation/thought/feeling/equal temperament though ... I was nicknamed Little Man Tate, or Tate for short, in elementary school, and there's been more/different to think about that than I was aware of at the time. [Funny video where he's on the talk show and says "I bring in the mail" and recites the clipper ships poem currently unavailable on Youtube.] I don't want to wear red, ooh let's talk about colors, and be a sinful violent mess or whatever, I guess red's supposed to be like what happy/yum/heart some - are you blushing cause you like a giiirl? pomegranates - though it also conflates worse than that, I wear white like pure and good and nice and above board and dovish peaceful and comfortable/pleasant/light and normal/natural/clear, relaxed/unproblemed/unproblematic/unburdened/unburdening, though there's some existing/comfortable/appropriate proportion/spectrum/palette of color is how the reasoning/capriciousness thing is going and expressing on that these days, right now, with healthy/tasteful Bayesian/combinative buoyancy. It was like maybe May Day, Morris dancing whatnot, though I'd never heard of that, my brother who is named Daniel's birthday is May 1st. That one's green, as I gather... and green is pleasant/peaceful seeming to me - I'm Irish - though also conflated with other things (possibly Paddy O'Pagan's olive branch for all i know / don't know, possibly not knowing asymmetric information/situation one of the associations of green, what did/do you think of the movie Greenberg? He's Got A Lot On His Mind). What do you think/know about blue (on one hand, watch out for that blue Mulholland Drive box, on another hand it's nice cool balm water and sky, more pleasant/comfortable/appropriate than some bad red stuff), or other stuff? We were all Yellow... I was and am a normal nice guy ... in the green and white ... nice content/aspect pinball machine you got there ... ) | |
< < | Reflection on the processes of constructing expressions allows more accurate and productive interpretation. What’s his situation? What are his interests? What’s his intention? What’s the tone? Is he earnest or ironic? What’s there that I haven’t incorporated? What seems to be missing? What do I know that might be relevant? What don’t I know that might be relevant? What kind of mistake might he be making? What if I’m making the mistake and not him? What might a third person have a frustrated urge to tell me about it? What might be the next step? What's on second? How unimportant/unintentional might some things be? An interesting note in Samuel Beckett's Watt, the title of which is probably or sounds/themes like it might be a pun for what (?), is "no symbols where none intended." And a friend gave me Steve Jones' Y for my birthday one year. You've got male. An owl says who? Third base. I wrote a story called "The Squirrel and the Beaver" when I was young in which the primary issue/nature was what a couple of neighborhood friends were going to do with their time. Remember The House of Mirth? Maybe Carry Fisher gave Ned Silverton something to white-tailed hornet dunderhead about. Heh. White Castle Roy Leviathan Garry Shandean. K? Policy Vote? I used to work at Kash 'n Karry, some other relevant details in private personal life. "You know, I believe we have two lives: the life we learn with and the life we live with after that." Well, go ahead and mention Orwell, I guess, can probably mature nice even if there's some heretofore unknown stuff. Artsy. A content and sense audience/people muse functionality, some experience and design thinking. Confucius says pleasant humaneness ... | > > | Reflection on the processes of constructing expressions allows more accurate and productive interpretation. What’s his situation? What are his interests? What’s his intention? What’s the tone? Is he earnest or ironic? What’s there that I haven’t incorporated? What seems to be missing? What do I know that might be relevant? What don’t I know that might be relevant? What kind of mistake might he be making? What if I’m making the mistake and not him? What might a third person have a frustrated urge to tell me about it? What might be the next step? What's on second? How unimportant/unintentional might some things be? An interesting note in Samuel Beckett's Watt, the title of which is probably or sounds/themes like it might be a pun for what (?), is "no symbols where none intended." And a friend gave me Steve Jones' Y for my birthday one year. You've got male. An owl says who? Third base. I wrote a story called "The Squirrel and the Beaver" when I was young in which the primary issue/nature was what a couple of neighborhood friends were going to do with their time. Remember The House of Mirth? Maybe Carry Fisher gave Ned Silverton something to white-tailed hornet dunderhead about. Heh. White Castle Hobbs Garry Shandean. K? Policy Vote? I used to work at Kash 'n Karry, some other relevant details in private personal life. "You know, I believe we have two lives: the life we learn with and the life we live with after that." Well, go ahead and mention Orwell, I guess, can probably mature nice even if there's some heretofore unknown stuff. Artsy. A content and sense audience/people muse functionality, some experience and design thinking. Confucius says pleasant humaneness ... | | In this way, interpretations can veer from one thing to another, or from a thing to its opposite. Ideally, open and reflective communication finds its way to increasingly robust understanding. |
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